Future Ancestral Technologies is Indigenous science fiction - a methodology, a practice, a way of future dreaming rooted in continuum. As an artist and craftsperson, I understand how the very act of making creates future potential. The process of Future Ancestral Technologies imagines, enacts and prototypes experiences that engage Indigenous cultures to thrive into the future. Looking to customs in order to move us forward, this work advances Indigenous methodologies and sustainable modes of thinking by utilizing speculative fiction, creative storytelling and materials sourced from the detritus of capitalism to present time bending landscapes of myth.
This series invites us to consider how we choose to dream of our collective future while challenging us to imagine a vibrant post-capitalist, post-colonial experience where humans restore their bonds with the earth and each other. Whereas our current society is obsessed with the development of mechanisms as so-called technology, Future Ancestral Technologies points out that technology is not the mechanism, but the ideas carried throughout time. Using mechanisms of installation, video and land-based performance work, multi-pronged narratives of possibility are created to reclaim and reframe the technology of my Indigenous ancestors. Placing the past and the future in dialogue, this work demonstrates the interconnected relationships between human beings and the land, maintaining the continuum of Future Ancestral Technologies.
“Science fiction has the power to shape collective thinking and serves as a vehicle to imagine the future on a global scale.” - Cannupa Hanska Luger
In 2018 Luger presented Future Ancestral Technologies (FAT), the first iteration of an evolving multimedia project articulating varying future narratives where Luger challenges our collective thinking, imagining a post-capitalism, post-colonial future where humans restore their bonds with the earth and each other.
This Future Ancestral Technologies entry log was documented on the Mandan Hidatsa Arikara Nation, my ancestral homeland, where the Bakken Oil Fields are fracked and drilled. In the video, a small family unit explores the abandoned industrial detritus, scouting locations and foraging materials for reuse. The audio featured an Ancestral Transmission my grandfather’s voice, Carl Whitman from 1984.